NYT > Top StoriesThe cinematographer and camera operator behind the Oscar-nominated film — shot almost entirely from the first-person perspective — explain how they did it. Read More
How ‘Nickel Boys’ Achieved Its Singular Visual Style
NYT > Top StoriesThe cinematographer and camera operator behind the Oscar-nominated film — shot almost entirely from the first-person perspective — explain how they did it. Read More
NYT > Top StoriesThe cinematographer and camera operator behind the Oscar-nominated film — shot almost entirely from the first-person perspective — explain how they did it. Read More